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Communications Operations

Orchestrating the Seasonal Launch

A Repeatable System for Six Major Collection Launches a Year

Client:
J.Hilburn
Role:
Director of Marketing Communications
Scope:
Owned end-to-end launch communications and field enablement across six major seasonal collections a year, plus mini-collection drops in between

The Challenge

J.Hilburn launched a new collection roughly every other month, six major seasonal drops a year, alongside smaller collections layered in between, such as Easter suiting, wedding apparel, holiday collections, and an ultra-exclusive fabric line called Cashmere Reserve. Launch dates were set by the C-suite and rarely moved, so every cycle had to build reliably around a fixed date rather than a flexible one.

Each launch depended on a different mix of people: the product team for specs and pricing, the creative team for shareable assets, the Brand President for the concept and inspiration, and senior leadership as on-camera presenters, all feeding into content on different timelines. And all of it had to run twice, once for the 1,000+ field stylists who needed to learn and sell the collection, and again for 300,000+ retail subscribers who needed to want to buy it.

The System

I ran launch communications on a two-month cycle that began the moment the previous collection went live.

An Eight-Week Runway

Field-facing communications began about eight weeks before launch day. I set up the live training webinar and built an email and text series to drive registration. Emails were sent roughly once a week, and texts about every other week in the lead-up. Printed lookbooks ran on a longer timeline entirely, since print production can take months; stylists were encouraged to pre-order lookbooks six to eight weeks ahead of launch through the weekly update, email, and text, timed so their copies would arrive by launch day.

Building the Collection Newsroom Page

Each launch had its own Newsroom page, built from pieces supplied on different timelines by different teams. I wrote the introduction to the collection's concept and inspiration, drawing on direction from the Brand President, and wrote the sales best practices and sample scripts with input from the sales team, delivered about a month ahead of launch. The product team supplied the new style, fabric, and option details, the full SKU and price list, and style boards showing how pieces could be combined. The creative team delivered shareable social, email, and text assets. The page also housed additional training resources, including assets like a video that walked stylists through setting up new button sample cards, guides to new silhouettes, and any new sales-team training videos created after launch.

The Newsroom page went live the afternoon of the training webinar, the day before the collection launched publicly, with the webinar recording added as soon as it was available. The written content housed on the Newsroom page was also provided to stylists in printed form, included in the fabric swatch mailers stylists received about a week before launch.

Executive-Producing the Training Webinar

I served as executive producer for the live training webinar held the day before each launch. That meant coordinating two to three on-camera presenters, usually the Brand President and Director of Merchandising, sometimes joined by the Vice President of Sales or Chief Commercial Officer, a production crew of four to five people, and roughly ten internal team members staffing the Q&A queue to cover questions across departments. I built and distributed personalized joining instructions for every internal participant, made sure the production team had everything needed for a clean live show, cameras, microphones, lighting, run of show, and any decks or video, and ran a pre-call walkthrough with presenters and the production team about an hour before going live.

During the broadcast, I was the webinar administrator: opening the waiting room, recording the session for the Newsroom page, monitoring audio and video quality, and surfacing pending questions to the internal team in real time. Presenters weren't working from a script, but they planned their material in advance. For the final two launches I worked on, we pre-recorded the product walkthrough and fabric and options segments and played them into the live broadcast, which took more advance planning but made the finished webinar look noticeably more polished.

Pre- and Post-Launch Communications

The promotional arc ran well before and well after the actual launch day. Ahead of launch, stylists heard about the upcoming collection through webinar invitations, lookbook pre-order messaging, and teasers the sales and product teams dropped into weekly training calls. The day before launch, the webinar and Newsroom page went live together. On launch day itself, the collection went live on the website and stylists got a text confirming it. The following two weekly updates each included an article that pointed stylists back to the training page in the Newsroom.

After launch, I'd put together communications to support sales incentives and additional training videos, hosted by the Vice President of Sales, the Chief Commercial Officer, or a Regional Sales Director, walking through selling strategies for the collection. The stylist care team also hosted live Q&A calls, all promoted through the weekly update and text.

On the client side, I owned the retail email program for every launch: a launch-day announcement email, followed by roughly three emails per week highlighting different product categories within the collection, with social content mirroring the same email content.

Measuring What Worked

Success showed up in a few different places: webinar registration and attendance, including follow-up training sessions; lookbook pre-order volume; open and click-through rates on the weekly update articles driving stylists to webinar registration and the Newsroom page; and engagement on client-facing emails and social content. First-week sell-through was another signal, but not a clean one, since a slow first week could point to a communications gap or to styles or fabrics within the collection that simply weren't resonating with customers that season.

A Repeatable System

The process stayed the same launch after launch. Only the content itself had to be built fresh each time, which is what made it possible to run six major launches a year without reinventing the wheel every other month.

The clearest example of the system working at its best was Pre-Fall 2026, the last collection I worked on. We brought in a professional videographer to shoot and edit most of the webinar content in advance, and the finished training looked noticeably more polished, something stylists commented on directly. By that point, I'd run the process enough times to plan everything well ahead of schedule, so there was very little last-minute scrambling. It was the version of the system running exactly as it was designed to.

What This Demonstrates

  • End-to-end launch program management, running a recurring, high-stakes communications program against a fixed, non-negotiable launch date.
  • Cross-functional orchestration, pulling structured input from product, creative, sales, and executive stakeholders, each on a different timeline, into one coherent deliverable.
  • Live event production, owning every technical and logistical detail of a live executive broadcast, from run of show to real-time Q&A management.
  • Multi-audience communications, running parallel campaigns for field stylists and retail subscribers off the same launch, without either one dropping the ball.
  • Process design, building a process that scaled to six major launches a year, freeing up capacity to raise production quality over time instead of just keeping up.
  • Executive stakeholder management, coordinating the Brand President, C-suite executives, and department leaders on tight, recurring deadlines.

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